Italian Mannerist Painter, 1503-1572 Agnolo di Cosimo (November 17, 1503 ?C November 23,1572), usually known as Il Bronzino, or Agnolo Bronzino (mistaken attempts also have been made in the past to assert his name was Agnolo Tori and even Angelo (Agnolo) Allori), was an Italian Mannerist painter from Florence. The origin of his nickname, Bronzino is unknown, but could derive from his dark complexion, or from that he gave many of his portrait subjects. It has been claimed by some that he had dark skin as a symptom of Addison disease, a condition which affects the adrenal glands and often causes excessive pigmentation of the skin.  Related Paintings of Agnolo Bronzino :. | The Deposition of Christ | Lodovico Capponi | Portrait of a Young Girl with a Prayer Book | Portrait of a Little Gril with a Book | Cosimo I de' Medici |
Related Artists:
Anne Baptiste Nivelon
Portrait de Louis de France, dauphin (1729 - 1765) represente tenant des plans militaires
EYBL, Franz
1805, Vienna - 1880, Vienna,Austrian painter and lithographer. He entered the Vienna Akademie at the age of ten, studying sculpture under Josef Klieber and landscape painting (1817-20) with Joseph Messmer (1780-1845), from whom he also learnt the new technique of lithography. He then spent three years with Johann Baptist Lampi (i) and Franz Caucig (1762-1828), drawing after antique statues and casts. He studied history painting (1823-8), during which period he came under the influence of Johann Peter Krafft, who introduced him to the principles of realism, suggesting that he work directly from nature and reflect contemporary, everyday subject-matter in his painting. Together with Josef Danhauser and Matthias Ranftl (1805-54), Eybl was among the most significant followers of Krafft's ideas,
Julius LeBlanc Stewart
(September 6, 1855, Philadelphia, Pennsylvania - January 5, 1919, Paris, France), was an American artist who spent his career in Paris. A contemporary of fellow expatriate painter John Singer Sargent, Stewart was nicknamed "the Parisian from Philadelphia." His father, the sugar millionaire William Hood Stewart, moved the family to Paris in 1865, and became a distinguished art collector and an early patron of Fortuny and the Barbizon artists. Julius studied under Eduardo Zamacois as a teenager, under Jean-Leo Grôme at the École des Beaux Arts, and later was a pupil of Raymondo de Madrazo. Stewart's family wealth enabled him to live a lush expatriate life and paint what he pleased, often large-scaled group portraits. The first of these, After the Wedding (1880), showed the artist's brother Charles and his bride Mae, daughter of financier Anthony J. Drexel, leaving for their honeymoon.